SOLO REPERTOAR (IZVEDEN NA KONCERTIH)<\/b><\/p>\n
J. Gallus (1550-1591):<\/b><\/p>\n
Obsecro Domine (arr. M. Kurtjak)<\/p>\n
Nemo placet stultis (arr. M. Kurtjak) \ud83c\udfac<\/a><\/p>\n J. Dowland (1563-1626):<\/b><\/p>\n Lachrimae Pavan<\/p>\n D. Buxtehude (1637-1707): <\/b><\/p>\n Suita v e molu<\/p>\n G. Sanz (1640-1710):<\/b><\/p>\n Suite Espa\u00f1ola: Rujero y Paradetas, Mi\u00f1ona de Catalu\u00f1a, Canarios<\/p>\n J. S. Bach (1685-1750):<\/b><\/p>\n Suita za lutnjo BWV 996<\/p>\n Suita za lutnjo BWV 997<\/p>\n Violinska sonata BWV 1001<\/p>\n Violinska Partita BWV 1004<\/p>\n Suita za lutnjo BWV 1006a<\/p>\n Suita za violon\u010delo BWV 1007<\/p>\n J. P. Rameau (1683-1764):<\/b><\/p>\n Le Rappel des Oiseaux<\/p>\n S. L. Weiss (1687-1750):<\/b><\/p>\n Sonata za lutnjo v d-molu (iz Manoscritto do Dresda \u0161t. 5, transponiran v e-mol)<\/p>\n M. Albeniz (1755-1831):<\/b><\/p>\n Klavirska sonata v D-duru<\/p>\n F. Carulli (1770-1841):<\/b><\/p>\n Capriccio v C-duru, op. 36<\/p>\n F. Molino (1775-1847):<\/b><\/p>\n Fantazija v D-duru<\/p>\n F. Sor (1778-1839):<\/b><\/p>\n Etude op. 6<\/p>\n Fantaisie no. 2, op. 7<\/p>\n Variacije na Mozartovo temo, op. 9<\/p>\n Grand Solo, op. 14<\/p>\n Les Folies d’Espagne, op. 15 (a)<\/p>\n Grand Sonata op. 25<\/p>\n Etude op. 29<\/p>\n M. Giuliani (1781-1829):<\/b><\/p>\n Sonata Eroica, op. 150<\/p>\n Rossiniana \u0161t. 1, op. 119\u00a0\ud83c\udfac<\/a><\/p>\n D. Aguado (1784-1849):<\/b><\/p>\n Andante in Rondo op. 2 \u0161t. 2\u00a0\ud83c\udfac<\/a><\/p>\n L. Legnani (1790-1877):<\/b><\/p>\n Capricci \u0161t. 7, 21 iz op. 20 \ud83c\udfac<\/a><\/p>\n J. Broca (1805-1882):<\/b><\/p>\n Fantasia (Tema con variationes)<\/p>\n N. Coste (1805-1883):<\/b><\/p>\n Andante et Polonaise (Souvenir du Jura), op. 44<\/p>\n J. K. Mertz (1806-1856):<\/b><\/p>\n Bardenkl\u00e4nge, op. 13: Romanze: Andante<\/p>\n Caprice sur un th\u00e8me favori de C. M. de Weber, op. 50<\/p>\n G. Regondi (1822-1872):<\/b><\/p>\n Reverie (Nocturne), op. 19 \ud83c\udfac<\/a><\/p>\n J. Arcas (1832-1882):<\/b><\/p>\n Fantasia on themes from “La Traviata”<\/p>\n F. T\u00e1rrega (1852-1909):<\/b><\/p>\n Preludes no. 2, 3 and 5\u00a0\ud83c\udfac<\/a><\/p>\n Maria (Gavote)<\/p>\n Oremus (arrangement of part of R. Schumann: Phantasietanz, Op. 124, no. 5)<\/p>\n Rosita (Polka)<\/p>\n Alborada (Capricho)<\/p>\n Adelita<\/p>\n Lagrima<\/p>\n Sueno! (tremolo)<\/p>\n Gran Vals<\/p>\n Vals \u201cLas dos hermanitas\u201d<\/p>\n Capricho Arabe<\/p>\n Recuerdos de la Alhambra\u00a0\ud83c\udfac<\/a><\/p>\n Gran Jota de Concierto<\/p>\n I. Albeniz (1860-1909):<\/b><\/p>\n Asturias<\/p>\n J. Malats (1872-1912):<\/b><\/p>\n Serenata Espa\u00f1ola<\/p>\n A. Barrios-Mangore (1885-1944):<\/b><\/p>\n La Catedral<\/p>\n Mazurka Apasionada \ud83c\udfac<\/a><\/p>\n Pais de Abanico<\/p>\n Medallon Antiguo<\/p>\n Vals no. 4, op. 8<\/p>\n Una Limosna por el Amor de Dios (El Ultimo tremolo)<\/p>\n Un sue\u00f1o en la Floresta<\/p>\n Las Abejas<\/p>\n Julia Florida<\/p>\n E. Pujol (1886-1980):<\/b><\/p>\n El Abejorro<\/p>\n J. Sagreras (1879-1942):<\/b><\/p>\n El Colibri<\/p>\n E. Sainz de la Maza (1903-1982):<\/b><\/p>\n Campanas del alba<\/p>\n R. Gerhard (1896-1970):<\/b><\/p>\n Fantasia<\/p>\n M. de Falla (1876-1946):<\/b><\/p>\n Homenaje (Tombeau de Claude Debussy)<\/p>\n M. M. Ponce (1882-1948):<\/b><\/p>\n Sonata III<\/p>\n Sonata romantica \ud83c\udfac<\/a>\u00a0\ud83c\udfac<\/a><\/p>\n J. Rodrigo (1901-1999):<\/b><\/p>\n En los Trigales \ud83c\udfac<\/a><\/p>\n Tres Piezas Espa\u00f1olas<\/p>\n H. Villa-Lobos (1887-1959):<\/b><\/p>\n Preludiji \u0161t. 1, 3, 4<\/p>\n Etude \u0161t. 1, 2, 7, 11<\/p>\n F. Moreno-Torroba (1891-1982):<\/b><\/p>\n Sonatina<\/p>\n Suite Castellana<\/p>\n Madro\u00f1os<\/p>\n J. Turina (1882-1949):<\/b><\/p>\n Sonata, op. 61<\/p>\n M. Arnold (1921-2006):<\/b><\/p>\n Fantasy for Guitar op. 107<\/p>\n A. Jos\u00e9 (1902-1936):<\/b><\/p>\n Sonata<\/p>\n A. Lajovic (1878-1960):<\/b><\/p>\n Lan (arr. M. Kurtjak)<\/p>\n F. Martin (1890-1974):<\/b><\/p>\n Quatre Pieces Breves \ud83c\udfac<\/a><\/span><\/p>\n W. Walton (1902-1983):<\/b><\/p>\n Five Bagatelles<\/p>\n A. Lauro (1917-1986):<\/b><\/p>\n Valses Venezolanos no. 2, 3<\/p>\n Seis por Derecho-Joropo al estilo del arpa venezolana<\/p>\n Suite Venezolana<\/p>\n A. Ruiz-Pipo (1934-1997):<\/b><\/p>\n Cancion y Danza no. 1<\/p>\n S. Prek (1915-1999):<\/b><\/p>\n Nocturno<\/p>\n S. Fumi\u0107 (1912-1945):<\/b><\/p>\n Nocturno<\/p>\n V. Ukmar (1905-1991):<\/b><\/p>\n 5 Bagatelles<\/p>\n G. Facchinetti (1936-):<\/b><\/p>\n Three short pieces for guitar (Preludio, Notturno, Pezzo anche troppo breve)<\/p>\n L. Brouwer (1939-):<\/b><\/p>\n Tarantos<\/p>\n Un d\u00eda de Noviembre<\/p>\n Estudios sencillos<\/p>\n C. Domeniconi (1947-):<\/b><\/p>\n Koyunbaba (Suite op. 19)<\/p>\n R. Dyens (1955-1916):<\/b><\/p>\n Libra Sonatine<\/p>\n Saudade no. 3<\/p>\n Tango en Skai<\/p>\n J. <\/b>E\u00f6tv\u00f6s<\/b> (1962-):<\/b><\/p>\n Willow Variations on the Polish Folksong “Wierzba”, op. 5<\/p>\n N. Koshkin (1956-):<\/b><\/p>\n The Paper Dragon<\/p>\n \u0160. Rak (1945-):<\/b><\/p>\n Taniec Mauretanski<\/p>\n Sonata Mongoliana<\/p>\n J. M. Lopez Lopez (1956-):<\/b><\/p>\n Impresiones y Paisajes<\/p>\n D. del Puerto (1964-):<\/b><\/p>\n Fantasia y Rondo<\/p>\n E. Calandin (1958-):<\/b><\/p>\n Tres cuentos para Alhambra<\/p>\n M. Kurtjak (1989-):<\/b><\/p>\n Kra\u0161ka reka (The River of the Karst)*<\/p>\n Variacije na slovensko ljudsko pesem*<\/p>\n Sonata for guitar no. 1<\/p>\n R. Laidlow (1994-):<\/b><\/p>\n Red*<\/p>\n